AUDIENCE EMPATHY TOWARD ACTORS PERFORMING THROUGH MOTION CAPTURE VERSUS TRADITIONAL SCREEN ACTING

Abstract

Advancements in digital filmmaking technologies have transformed the nature of performance in contemporary cinema. One of the most significant developments is Motion Capture (MoCap), a technique that records an actor’s physical movements and facial expressions and translates them into digitally generated characters. While traditional screen acting relies on the direct visibility of the actor’s body and face, motion capture acting often presents performances through computer-generated imagery (CGI). This evolution raises important questions about audience engagement and emotional connection. This research paper examines audience empathy toward actors performing through motion capture versus traditional screen acting. Drawing upon theories of empathy, performance studies, cognitive film theory, and digital media studies, the research explores how audiences perceive, interpret, and emotionally respond to performances in both forms. The study finds that although traditional screen acting often provides immediate emotional recognition due to visible human features, motion capture acting can generate equally powerful empathy when digital characters successfully convey authentic human emotion through performance.

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